Home »
Jazz Articles » Album Review » Misha Tsiganov: Painter Of Dreams

A mainstay musician in the vibrant and exciting jazz scene of New York City, Russian-born pianist

Misha Tsiganov

” data-original-title title>Misha Tsiganov presents his fifth Criss Cross album, Painter of Dreams, which features six original compositions and two familiar reimagined standards, with every piece but one running from between eight to eleven-minutes in length. The pianist expands his musical boundaries, implements new elements, augments the horn section and, with regard to his own playing, states that he was moved to include an “entirely acoustic soundscape…liberally weaving the Rhodes and Minimoog into the flow” and inviting the flexible voice of Dutch vocalist

Hiske Jeltine Oosterwijk

” data-original-title title>Hiske Jeltine Oosterwijk.

Before embarking on this new adventure, Tsiganov consulted at length with his friend and colleague trumpeter

Alex Sipiagin
Alex Sipiagin

trumpet
b.1967

” data-original-title title>Alex Sipiagin with whom he has recorded more than 20 albums and who he considers his co-producer here. With Sipiagin’s help, the new band for the recording began to take shape, featuring

Chris Potter
Chris Potter

saxophone
b.1971

” data-original-title title>Chris Potter on tenor and soprano saxophones and

Miguel Zenon
Miguel Zenon

saxophone, alto
b.1976

” data-original-title title>Miguel Zenon filling in the alto spot. Once the horn and reeds were set, bassist

Matt Brewer

” data-original-title title>Matt Brewer and drummer

Johnathan Blake

” data-original-title title>Johnathan Blake filled out the remaining rhythm section. Oosterwijk was included on three tracks.

The full sextet is featured on the first three tracks (“Elusive Dots,” “April” and “Up Journey”), documenting Potter’s participation on the album. He performs on tenor on the first two pieces and lays down a “no-limits chops on soprano” solo on the last tune, while the leader weighs in with solos on the Minimoog, Fender Rhodes and acoustic piano, ably accompanied by Sipiagin’s horn work and the singer’s wordless vocals on “April,” for a turbulent triple-play beginning of the album.

The title track takes a mellow turn, presenting the singer in a leading role, voicing wonderful lyrics and adding some light scatting before giving way to Tsiganov on the keys, as Sipiagin and Zenon finish off the piece in a more aggressive manner than the way this song began.

The oft-recorded Jerome Kern standard “Long Ago and Far Away” is totally re-arranged by the leader as he returns on the Rhodes, accompanied well by the trumpeter and Zenon’s “ferocious declamation” of part of the song using his alto voice with incredible support by Blake and “straight-ahead walking bass” lines from Brewer for a new and dynamite version of the old standard.

An original chart penned in remembrance of the 22 years Tsiganov has lived on Brooklyn’s Seeley Street, “Seeley Street Song” has the pianist laying down gentle warm piano solos while Sipiagin reaches with the flugelhorn, accompanied by Oosterwijk in her last vocal performance of the set and its shortest piece, which is followed by the last two sizzling numbers, “Chain of Events” and “I Loves You Porgy.”

Of this sparkling album, Tsiganov exclaimed, “I’m extremely happy with this album.” With even one sampling of the recording, one can fully understand just why he should be. Painter of Dreams is a remarkably well-conceived experience sure to resonate with the more sophisticated jazz audience.

“>

Track Listing

Elusive Dots; April; Up Journey; Painter Of Dreams; Long Ago and Far Away; Seeley Street Song; Chain of Events; I Loves You Porgy.

Personnel

Additional Instrumentation

Alex Sipiagin: flugelhorn (1,4,6); Hiske Oosterwijk: vocals (2,4,6); Chris Potter: tenor saxophone (1,2), alto saxophone (3).

Album information

Title: Painter Of Dreams
| Year Released: 2024
| Record Label: Criss Cross

Tags


Support All About Jazz

Get the Jazz Near You newsletter
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made “AAJ” one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

How You Can Help

To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we’ll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.



Source link

Leave a Reply

Your email address will not be published. Required fields are marked *