data-original-title=”” title=””>Kendrick Scott, and bassist 

Matt Brewer


data-original-title=”” title=””>Matt Brewer—hijack the lead track “Ofafrii” with a brazen romp of everything tuneful and tasty. Wilkins and Ross virtually ground the driving ethic while power-gliding above the whole enterprise. It is a hellion ride, considering that Clayton, Scott, and Brewer have a few things they wish to add and add them and exponentially, they do.

Road tested by a marathon 2024 tour, the twice, cooly monikered quintet, originally formed in celebration of Blue Note’s 85th Anniversary, cruises from “Ofafrii” to the high voltage, topsy turvy tumble of “Synchrony.” Recall that first lightning strike upon first hearing Coltrane (Impulse!, 1962) as the classic quartet took shape around your head. Well, such is “Synchrony,” and it is, beyond doubt and hyperbole, quite the rush. The same holds true for the Ross-on-the-high- wire “Radical.” Amplified by Scott’s muscular cool, the track ice skates onto “Aspiring to Normalcy.” Led by Brewer’s

Ron Carter


data-original-title=”” title=””>Ron Carter-like instincts for taut and punchy swing, this eleven-minute mood chaser is why Blue Note is what it always has been: a world of brilliance and shadow; corners and conflicts; a blues that heals.

Ross winds and rolls his way around Wilkins and Clayton who pair like

Dexter Gordon
Dexter Gordon

saxophone, tenor
1923 – 1990


data-original-title=”” title=””>Dexter Gordon and

Horace Silver
Horace Silver

piano
1928 – 2014


data-original-title=”” title=””>Horace Silver throughout “Aspiring to Normalcy” and the moment is sweet. The track’s deep-seated barely contained rock roll spark is pure bonus. The gauzy yet hand-hewn “Second Day” floats on the whole energy ripping through  Motion I . Moody without the moodiness that lesser players would have wrought, “Gabaldon’s Glide” is another nod to Blue Note’s empirical past. Blue by blue by blue, each player takes it upon himself to add a dash of schmaltz and drama and all your troubles seem to go away as the five swagger and swerve. Motion I closes somewhat disappointingly, with the pretty, though nearly somnambulant, cigarette smoke etched “Bird’s Luck,” but everything before it is hands down, four-star stuff.

“>

Track Listing

Ofafrii; Synchrony; Radical; Aspiring to Normalcy; Second Day; Gabaldon’s Glide; Bird’s Luck.

Personnel

Album information

Title: Motion I

| Year Released: 2024
| Record Label: Blue Note Records

Tags

PREVIOUS / NEXT


Support All About Jazz

Get the Jazz Near You newsletter
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made “AAJ” one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we’ll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.



Source link

Leave a Reply

Your email address will not be published. Required fields are marked *

Skip to content