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Jazz Articles » Album Review » Andrew Vogt: Awakening

” data-original-title title>Andrew Vogt‘s Awakening is a profound exploration of the bass guitar’s potential as a melodic and rhythmic force. The album highlights Vogt’s exceptional musicianship and compositional skill as he delves into a rich sonic palette. It is a jazz album that feels like a musical journey through a dreamscape, where each track is a different chapter in an unfolding story.

The album opens with the melodic title track, “Awakening,” which sets a serene yet powerful tone with

Dustin Laurenzi
Dustin Laurenzi

saxophone, tenor
b.1989

” data-original-title title>Dustin Laurenzi‘s tenor saxophone lines. Like a sunrise gradually illuminating the world, the track builds from gentle introspection to an invigorating climax, leaving the listener feeling energized and inspired.

“Wes’ Waltz” seamlessly follows, offering a nostalgic yet fresh take on the waltz form. Vogt’s bass lines provide a steady foundation while

Stu Mindeman

” data-original-title title>Stu Mindeman‘s piano and

Hans Luchs

” data-original-title title>Hans Luchs‘ guitar partake in a spirited and tuneful dialogue. The track takes an unexpected turn as Laurenzi and trumpeter

Quentin Coaxum

” data-original-title title>Quentin Coaxum infuse it with fiery choruses, transforming the gentle waltz into a dynamic and exciting piece.

“Hammerspace” is a high-energy explosion of sound, demonstrating Vogt’s ability to shift gears seamlessly. The track is a whirlwind of complex rhythms and intricate interplay, signifying the band’s collective virtuosity.

“Dusk” evokes a contemplative mood with its gradual build-up in complexity. The track feels like a quiet evening, allowing for reflection and introspection. The musicians create a rich tapestry of sound, with each instrument contributing to the overall atmosphere.

Sarah Marie Young

” data-original-title title>Sarah Marie Young‘s ethereal vocals and ” data-original-title title>Sharon Irving‘s spoken word/poetry add an intriguing layer to the composition.

“Bass Etude #1” offers a glimpse into Vogt’s compositional mind, as he stretches out with a multifaceted solo groove that explores the full range of the bass guitar. The track demonstrates his technical virtuosity and improvisational flair.

The album concludes with a daring reimagining of the Beatles’ classic, “Eleanor Rigby.” Vogt’s arrangement breathes new life into the familiar tune, blending traditional jazz elements with contemporary sensibilities. Shaun Johnson’s trumpet and Laurenzi’s saxophone add rock-infused energy to the track, creating a fresh and exciting interpretation.

Throughout, Vogt demonstrates a deep understanding of harmony and structure. His bass lines are not merely accompaniment but integral components of the compositions. Whether exploring melodic intricacies or driving the rhythm section, Vogt’s playing is consistently impressive.

Whether you are a long-time fan of Vogt’s work or new to his music, this album offers something for everyone. So, put on your favorite pair of headphones, sit back, and let Andrew Vogt take you on a musical journey that is liable to leave you feeling, well, awakened.

“>

Track Listing

Awakening;
Wes’ Waltz;
Hammerspace;
Dusk;
Dark Blues;
Bass Etude #1;
Eleanor Rigby.

Personnel

Additional Instrumentation

Shaun Johnson: trumpet (7).

Album information

Title: Awakening
| Year Released: 2024
| Record Label: Self Produced

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